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Bulldaggers, pansies, and chocolate babies : performance, race, and sexuality in the Harlem Renaissance. James F. Wilson
Wilson, James F cop. 2010
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33MQB MQB
Magasin
(N-A-021571 )
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Title:
Bulldaggers, pansies, and chocolate babies : performance, race, and sexuality in the Harlem Renaissance. James F. Wilson
Author:
Wilson, James F
Subjects:
Art dramatique -- Histoire et critique -- États-Unis -- New York (États-Unis État) -- 20e siècle
;
Auteurs dramatiques noirs américains -- États-Unis -- New York (États-Unis État) -- 20e siècle
;
Noirs américains dans les arts du spectacle -- États-Unis -- New York (États-Unis État) -- 20e siècle
;
Théâtre -- États-Unis -- New York (États-Unis État) -- 20e siècle
;
Noirs américains -- Vie intellectuelle -- États-Unis -- New York (États-Unis État) -- 20e siècle
;
Harlem Renaissance
;
American drama -- African American authors -- History and criticism
;
American drama -- History and criticism -- 20th century
;
African Americans in the performing arts -- History -- New York (State) -- New York -- 20th century
;
Theater -- History -- New York (State) -- New York -- 20th century
;
African Americans -- Intellectual life -- New York (State) -- New York
;
Harlem (New York, N.Y.) -- Intellectual life -- 20th century
;
Race in literature
;
Sex in the theater
;
New York (N.Y.) -- Quartier de Harlem -- Vie intellectuelle -- 20e siècle
Description:
Bibliogr. p. 231-248. Index
Introduction: "It's getting dark on old Broadway" "Gimme a pigfoot and a bottle of beer": parties, performances, and privacy in the "other" Harlem Renaissance(s) "Harlem on my mind": New York's black belt on the Great White Way "That's the kind of gal I am": drag balls, "sexual perversion," and David Belasco's Lulu Belle "Hottentot potentates": the potent and hot performances of Florence Mills and Ethel Waters "In my well of loneliness": Gladys Bentley's Bulldykin' blues Conclusion: "you've seen Harlem at its best
Related Titles:
Series: Triangulations: lesbian/gay/queer theater/drama/performance
Publisher:
Ann Arbor : University of Michigan Press, cop. 2010
Creation Date:
cop. 2010
Format:
1 vol. (IX-260 p.) : ill., couv. ill. en coul. ; 24 cm
Language:
English
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