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Disaster drawn : visual witness, comics, and documentary form. Hillary L. Chute

Chute, Hillary L 2016

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  • Titre:
    Disaster drawn : visual witness, comics, and documentary form. Hillary L. Chute
  • Auteur: Chute, Hillary L
  • Éditeur: Cambridge, Massachusetts : The Belknap Press of Harvard University Press, 2016
  • Sujets: Comic books, strips, etc -- History and criticism;
    Nonfiction comics -- History and criticism;
    Graphic novels -- History and criticism;
    Bandes dessinées de reportage -- Histoire et critique;
    Bandes dessinées documentaires -- Histoire et critique;
    Romans graphiques -- Histoire et critique;
    Traumatisme psychique -- Dans les bandes dessinées;
    Psychic trauma in literature;
    Storytelling in literature;
    Narration (Rhetoric)
  • Notes: Notes Bibliogr. p.267-346. Index
    Introduction: Seeing new Histories of visual witness Time, space, and picture writing in modern comics I saw it and the work of atomic bomb manga Maus's archival images and the post-war comics field History and the visible in Joe Sacco Coda: New locations, new forms
  • Contient: Introduction: Seeing new Histories of visual witness Time, space, and picture writing in modern comics I saw it and the work of atomic bomb manga Maus's archival images and the post-war comics field History and the visible in Joe Sacco Coda: New locations, new forms
  • Résumé: "Disaster Drawn explores the ways graphic narratives by diverse artists, including Jacques Callot, Francisco Goya, Keiji Nakazawa, Art Spiegelman, and Joe Sacco, document the disasters of war. Hillary L. Chute traces how comics inherited graphic print traditions and innovations from the seventeenth century and later, pointing out that at every turn new forms of visual-verbal representation have arisen in response to the turmoil of war. Modern nonfiction comics emerged from the shattering experience of World War II, developing in the 1970s with Art Spiegelman's first 'Maus' story about his immigrant family's survival of Nazi death camps and with Hiroshima survivor Keiji Nakazawa's inaugural work of 'atomic bomb manga, ' the comic book Ore Wa Mita ('I Saw It') - a title that alludes to Goya's famous Disasters of War etchings. Chute explains how the form of comics - its collection of frames - lends itself to historical narrative."--Provided by publisher
  • Langue: Anglais
  • Date d'édition: 2016
  • Identifiant: 978-0-674-50451-6 ; 0-674-50451-8
  • Desc. matérielle: 1 vol. (359 p.) : ill., jaquette ill. ; 25 cm
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