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Disaster drawn : visual witness, comics, and documentary form. Hillary L. Chute
Chute, Hillary L 2016
Available at
mediatheque
Salon de lecture Jacques Kerchache
(BD GEN (2) CHU )
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Title:
Disaster drawn : visual witness, comics, and documentary form. Hillary L. Chute
Author:
Chute, Hillary L
Publisher:
Cambridge, Massachusetts : The Belknap Press of Harvard University Press, 2016
Subjects:
Comic books, strips, etc -- History and criticism
;
Nonfiction comics -- History and criticism
;
Graphic novels -- History and criticism
;
Bandes dessinées de reportage -- Histoire et critique
;
Bandes dessinées documentaires -- Histoire et critique
;
Romans graphiques -- Histoire et critique
;
Traumatisme psychique -- Dans les bandes dessinées
;
Psychic trauma in literature
;
Storytelling in literature
;
Narration (Rhetoric)
Includes:
Notes Bibliogr. p.267-346. Index
Introduction: Seeing new Histories of visual witness Time, space, and picture writing in modern comics I saw it and the work of atomic bomb manga Maus's archival images and the post-war comics field History and the visible in Joe Sacco Coda: New locations, new forms
lds03:
Introduction: Seeing new Histories of visual witness Time, space, and picture writing in modern comics I saw it and the work of atomic bomb manga Maus's archival images and the post-war comics field History and the visible in Joe Sacco Coda: New locations, new forms
lds04:
"Disaster Drawn explores the ways graphic narratives by diverse artists, including Jacques Callot, Francisco Goya, Keiji Nakazawa, Art Spiegelman, and Joe Sacco, document the disasters of war. Hillary L. Chute traces how comics inherited graphic print traditions and innovations from the seventeenth century and later, pointing out that at every turn new forms of visual-verbal representation have arisen in response to the turmoil of war. Modern nonfiction comics emerged from the shattering experience of World War II, developing in the 1970s with Art Spiegelman's first 'Maus' story about his immigrant family's survival of Nazi death camps and with Hiroshima survivor Keiji Nakazawa's inaugural work of 'atomic bomb manga, ' the comic book Ore Wa Mita ('I Saw It') - a title that alludes to Goya's famous Disasters of War etchings. Chute explains how the form of comics - its collection of frames - lends itself to historical narrative."--Provided by publisher
Language:
English
Creation Date:
2016
Identifier:
978-0-674-50451-6 ; 0-674-50451-8
Format:
1 vol. (359 p.) : ill., jaquette ill. ; 25 cm
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