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Corporeal politics : dancing East Asia. edited by Katherine Mezur and Emily Wilcox
Mezur, Katherine 2020
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Titre:
Corporeal politics : dancing East Asia. edited by Katherine Mezur and Emily Wilcox
Auteur:
Mezur, Katherine
Sujets:
Danse -- Histoire -- Asie orientale
;
Danse -- Aspect politique -- Asie orientale
;
Danseurs -- Asie orientale
;
Dance -- History -- East Asia
;
Dance -- Political aspects -- East Asia
;
Dancers -- East Asia
Description:
La ressource est également disponible en version numérique
Références bibliographiques. Index
Titres liés:
Collection :Studies in dance history (1997) Sexuality, status, and the female dancer: legacies of imperial China; Mei Lanfang and modern dance: transcultural innovation in Peking opera, 1910s-1920s; The conflicted monk: choreographic adaptations of Si fan (Longing for the Mundane) in Japan's and Chinas new dance movements; Murayama Tomoyoshi and dance of Modern Times: A Forerunner of the Japanese Avant-garde; Korean dance beyond Koreanness: Park Yeong-in in the German modern dance scene; Diasporic moves: Sinophone epistemology in the choreography of Dai Ailian; Choreographing neoliberal marginalization: dancing migrant bodies in the South Korean musical Bballae (Laundry); Masking Japanese militarism as a dream of Sino-Japanese friendship: Miyako Odori performances in the 1930s; Imagined choreographies: Ito Michio's Philippines pageant and the transpacific performance of Japanese imperialism; Exorcism and reclamation: Lin Lee-chen's Jiao and the corporeal history of the Taiwanese; Choe Seung-hui between classical and folk: aesthetics of national form and socialist content in North Korea; The dilemma of Chinese classical dance: traditional or contemporary?; Negotiating Chinese identity through a double-minority voice and the female dancing body: Yang Liping's Spirit of the Peacock and beyond; Cracking history's codes in crocodile time: the sweat, powder, and glitter of women butoh artists' collective choreography; Fans, sashes, and Jesus: evangelical activism and anti-LGBTQ performance in South Korea; Choreographing digital performance in twenty-first-century Taiwan: Huang Yi & KUKA; Coda: To dance East Asia Corporeal politics Sexuality, status, and the female dancer: legacies of imperial China Beverly Bossier; Mei Lanfang and modern dance: transcultural innovation in Peking opera, 1910s-1920s Catherine Yeh; The conflicted monk: choreographic adaptations of Si fan (Longing for the Mundane) in Japan's and Chinas new dance movements Nan Ma; Murayama Tomoyoshi and dance of Modern Times: A Forerunner of the Japanese Avant-garde Kazuko Kuniyoshi; Korean dance beyond Koreanness: Park Yeong-in in the German modern dance scene Okju Son; Diasporic moves: Sinophone epistemology in the choreography of Dai Ailian Emily Wilcox; Choreographing neoliberal marginalization: dancing migrant bodies in the South Korean musical Bballae (Laundry) Ji Hyon (Kayla) Yuh; Masking Japanese militarism as a dream of Sino-Japanese friendship: Miyako Odori performances in the 1930s Mariko Okada; Imagined choreographies: Ito Michio's Philippines pageant and the transpacific performance of Japanese imperialism Tara Rodman; Exorcism and reclamation: Lin Lee-chen's Jiao and the corporeal history of the Taiwanese Ya-ping Chen; Choe Seung-hui between classical and folk: aesthetics of national form and socialist content in North Korea Suzy Kim; The dilemma of Chinese classical dance: traditional or contemporary? Dong Jiang; Negotiating Chinese identity through a double-minority voice and the female dancing body: Yang Liping's Spirit of the Peacock and beyond Ting-Ting Chang; Cracking history's codes in crocodile time: the sweat, powder, and glitter of women butoh artists' collective choreography Katherine Mezur; Fans, sashes, and Jesus: evangelical activism and anti-LGBTQ performance in South Korea Soo Ryon Yoon; Choreographing digital performance in twenty-first-century Taiwan: Huang Yi & KUKA Yatin Lin; Coda: To dance East Asia Katherine Mezur;
earlier_title
Éditeur:
Ann Arbor Mich. : University of Michigan Press, 2020
Date de publication:
2020
Format:
1 volume ([XV]-355 pages) : illustrations, couverture illutrée en couleurs ; 23 cm
Langue:
Anglais
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